State of Play: A Paean to Putin: The Oliver Stone Interviews

By Michael Sulick

Michael Sulick is the former director of CIA’s National Clandestine Service and is currently a consultant on counterintelligence and global risk assessment.  Sulick also served as Chief of Counterintelligence and Chief of the Central Eurasia Division where he was responsible for intelligence collection operations and foreign liaison relationships in Russia, Eastern Europe and the former republics of the Soviet Union.  He is the author of Spying in America: Espionage From the Revolutionary War to the Dawn of the Cold War and American Spies: Espionage Against the United States from the Cold War to the Present

Showtime claimed its four-part documentary of Oliver Stone interviews with Vladimir Putin provided “unparalleled access” to the Russian ruler and “intimate insight into his personal and professional lives.” The timing of the show was certainly appealing, considering the intense media focus on Russian meddling in the U.S. presidential election. Unfortunately, the result is sorely disappointing. The Oscar-winning director’s interviews amounted to little more than a Russian “active measure,” a carefully choreographed vehicle for Putin to air his well-known grievances against the U.S. and reinforce his strongman image. When, for example, Putin claims that Russia “doesn’t interfere in the domestic affairs of other countries,” the viewer eagerly awaits a hard-hitting follow-up question, but Stone rarely challenges the Russian ruler’s assertions.

Stone’s approach is no surprise. The interviews occurred between July 2015 and February 2017. During that period, Stone was in Russia filming the Snowden biopic, his latest work on U.S. government conspiracies. His award-winning film JFK details another conspiracy, a supposed plot by the CIA and shadowy right wingers to assassinate the president. The film is partially based on a book by Joachim Joesten, Oswald: Assassin or Fall Guy. Joesten was reportedly a KGB agent, and according to the Mitrokhin archives, his publisher received subsidies from the Soviets to spread KGB disinformation. In Stone’s obsession to unmask an American conspiracy, he was duped by a Russian one.

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